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You need Direct Monitor functionality to be able to listen to your playing through the interface outs.ĭirect Monitor can be a zero latency monitor or near zero latency monitor - read more on direct monitoring:
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Phantom power is required for condenser microphones, but it can also power most active di-boxes/splitters. You'll also need XLR microphone ins for recording real amps through microphones. Line inputs can be used for recording from real gear, but if your guitar effect offers XLR outs then it's better to use an interface with XLRs. Back to top 1) RECORDING REAL AMPS/EFFECTS PROCESSORS It's always good to ask people for opinions and read some reviews before making a decision. There are technical specifications of audio interfaces which you can compare, but it's not all there is that defines how an interface sounds. It's also best if the interface has no latency drift.
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In general you'll need an audio interface with two combo XLR/Hi-Z inputs that is capable of handling 24-bit/44.1kHz audio and that supports your operating system. There are also guitar effects processors that you can connect to your computer to edit tones, record both processed and dry tones and if you're happy with such a device and your recordings, then you probably don't need an additional audio interface. You dodge monitoring latency and plug-in latencies that can affect your performance. It's best to monitor through analog gear and record good tones using some real gear such as amps and effects processors. When it comes to recording guitars at home there are two things that you want to achieve and these are perfect timing and great tone and it's often a matter of compromise between the two. Line 6 POD Studio interfaces and ToneDirect Monitoring.Recording real amps/effects processors and dry tone for re-amping.